Specialisation fictional production management: Post-production

Analogue and digital post-production, cur, personnel, time, costs
Workflow and state-of-the-art of digital post-production in different audio-visual media genres and hybrid forms
Film laboratory, post-production studio and recording studio
Current technological standards and different recording and output formats (broadcasting formats, digital distribution formats).

Mode of delivery

face to face

Type

compulsory

Recommended or required reading and other learning resources/tools

Clark, B./ Spohr, S. (2002): Guide to Postproduction for Film and TV, Focal Press.

Planned learning activities and teaching methods

Lecture, discussion, process analysis, group work.

Assessment methods and criteria

Final written exam (70%)
Content criteria: degree of problem determination and problem characterisation
Formal criteria: completeness of answers, linguistic expression, autonomy of result presentation
Continuous assessment (30%): Individual and group work und presentation including evaluated partial exams, active contributions in the course, complexity of solutions with regards to professional competence and methodical expertise, quality of presentation.

Prerequisites and co-requisites

Modules "Film and media technology 1" and " Film and media technology 2".

Infos

Degree programme

Produktionsmanagement Film-, TV- und Streaming

Cycle

Bachelor

ECTS Credits

3.00

Language of instruction

German

Curriculum

Full-Time

Academic year

2023

Semester

5 WS

Incoming

No

Learning outcome

After successful completion of the course, the students can
plan and calculate the processes and scale of tasks in the post-production of fictional formals of cinema, TV and streaming
professionally collaborate with service companies and experts in the area of post-production.

Course code

1702-23-01-VZ-DE-47a