European film financing and co-production
Brief description
Legal and economic frameworks of European co-productions Models of co-productions Role of public funding as financing instrument, role of private and public TV channels as financiers Cooperation with distribution as a marketing instrument, means of market assessment (sales estimates) and as financing instrument (minimum warranty) Risk management in co-production Recoupment structures and plans
Mode of delivery
face to face
Type
compulsory
Recommended or required reading and other learning resources/tools
Neumann, P. / Appelgren, C. (2007): The fine art of co-producing: [handbook for film producers], 2. Aufl., Kopenhagen: Neumann Publishing House Inc.
Planned learning activities and teaching methods
Lecture, discussion, case analysis, group and individual work.
Assessment methods and criteria
Final written exam (70%) Content criteria: degree of problem determination and problem characterisation Formal criteria: completeness of answers, linguistic expression, autonomy of result presentation Continuous assessment (30%): Individual and group work und presentation including evaluated partial exams, active contributions in the course, complexity of solutions with regards to professional competence and methodical expertise, quality of presentation.
Prerequisites and co-requisites
Module “Production calculation” and the course “Logistics in film production”.
Infos
Degree programme
Produktionsmanagement Film-, TV- und Streaming
Cycle
Bachelor
ECTS Credits
3.00
Language of instruction
German
Curriculum
Full-Time
Academic year
2025
Semester
5 WS
Incoming
No
Learning outcome
After successful completion of the course, the students can name possible European financing sources for film projects analyse their compatibility and connections with one another identify structures, frameworks and processes of co-productions develop financing models for co-production groups identify and evaluate opportunities and risks of co-productions
Course code
1702-23-01-VZ-DE-52